Smt. Snigdha Venkataramani is an accomplished Carnatic vocalist and
has undergone training under various senior teachers for over three
decades. She is currently training under the internationally acclaimed vocal
duo Sri K.N. Shashikiran and Chitravina P. Ganesh, popularly known as the
Carnatica Brothers. Snigdha is also an established Bharatanatyam dancer
having trained under Padma Bhushan Dr. Saroja Vaidyanathan. Snigdha is
a highly sought after vocalist for dance having performed with several
senior Gurus and promising youngsters.
Vidwan Sri Ravindra Bharathy Sridharan, hailing from the well-known
Embar family, has been a performer for the last 43 years, having
accompanied many leading musicians both in US and India in both music
and dance. Ravi has been a sought after mridangam guru, teaching this
divine art form with great dedication and passion for the past 25 years. He
is one of the prime disciples of Vidwan Sri Neyveli Narayanan. Ravi is the
founder/director of the percussion school Nadhopasana Academy of Fine
Arts, where he nurtures the next generation of young talents. Ravi has
been a recipient of many awards such as the Sangeetha Seva Puraskar
award by Kalalaya in 2017, the Prof. T.R. Subrahmanyam Award by the
prestigious Cleveland Aradhana in 2023 for Best Teacher, as well as an
award from the Neelakanta Sivan Cultural Academy for his decades of
service in propagating Carnatic music in the United States. He was awarded
the title 'Kala Shiromani' from Kalaanjali Dance Company and Parampara
Rakshak by VVS Foundation and Saa Maa Arts for his contributions to
Indian Classical Arts in the Bay Area. Kala Shresta by SIFA in 2024. Ravi is
also known to be a community unifier and a key organizer in the Bay Area,
who enjoys bringing the music and dance communities together for various
initiatives and many of them through his non-profit organization
Guruvaram Performing Arts.
Sri Vikram Ragukumar had his initial training under legendary violinist
Vidwan H. V. Krishnamurthy at Vijaya College of Music, Bangalore. He later
pursued intensive training under the able guidance of All India Radio "A"
grade Violinist Vidwan B. Raghuram. Vikram has performed extensively in
India and the USA as a solo violinist and as an accompanist for classical
music and classical dance performances. He is currently furthering his
understanding of music by training under the guidance of Vidushi Smt.
Asha Ramesh. By day he works as a software engineer in the Bay Area.
Sri Ashwin Krishnakumar started training in Carnatic classical flute with
Sri. A.V Prakash in Mysore and Sri. B.N Suresh in Bangalore and was
recognized with a scholarship from the Central Govt. of India (CCRT) to
pursue advanced training in Carnatic flute. He started performing as a
young artist in childrens' and youth radio programs on the All India Radio
(AIR), and has also accompanied various classical music, classical dance,
light music productions and fundraisers in India and the US. He teaches
flute to students in the SF Bay Area who have participated in several
programs and music festivals and won prizes in local and national level
competitions. He continues to further his musical interests under the
guidance of Dr. T S Sathyavathi, a renowned musician, musicologist and a
prime disciple of Sri R K Srikantan. Ashwin works as a technologist in a
semiconductor company, and lives in the SF Bay Area with his family.
The pushpanjali represents the commencement of the repertoire. The dancer offers flowers at the feet of Lord Nataraja, the god of dance, and seeks blessings from the guardians of all directions, her Guru, the musicians and the audience using the sacred gesture, Anjali.
Ragam: Saraswathi
Thalam: Adi
Composer: Kalaimamani Sri Madurai R. Muralidharan
Lord Ganesha is described as the embodiment of bliss, wisdom, and a protector who grants blessings and removes fear. With five stanzas, the hymn glorifies Ganesha’s elephant form, radiance, and ability to remove obstacles. It goes on to reference his ability to bring joy and eliminate sorrow and the devotees complete surrender to Lord Ganesha.
Ragam: Ragamalika
Thalam: Thishra Nadai Adi
Composer: Jagadguru Sri Adi Shankaracharya
This keerthanam praises the beauty and generosity of Mahalakshmi, the goddess of wealth and prosperity who won the heart of Lord Vishnu. The song describes how she emerged from the churning waves of the milky ocean, arising in a lotus flower adorned with colorful gems and lavish gold jewelry. Mahalakshmi blesses her devotees, guiding them toward their dreams and granting their wishes, filling their hearts with hope and joy.
Ragam: Sree
Thalam: Thishra Jathi Dhruva
Composer: Kalaimamani Sri Madurai R. Muralidharan
The Varnam begins through the conversation between Radha and her friend, as her friend asks Radha whether she can hear Krishna’s melodious flute, indicating the arrival of the Yadava prince. Radha responds that he is nowhere to be seen while she can listen to his flute. The varnam follows Radha as she continues her search for her beloved, and as she finally sees him, she is filled with immense joy as they perform Rasleela or the divine dance of Krishna and his gopis. The varnam depicts the 10 avatars of Vishnu, manifested upon Earth at different times to restore cosmic balance and rid the world of evil. The varnam continues to depict various stories about Lord Krishna throughout his life, such as defeating the serpent king, Kaliya, and playing tricks on his mother, Yashoda, and the gopis.
Ragam : Chandrakhauns
Thalam : Adi
Composer : Sri. Sudev Warrier
This composition celebrates Lord Shiva’s Ananda Tandava, the divine dance of bliss. It vividly portrays his grace, power, and the cosmic rhythm that governs the cycle of creation and destruction, embodying the eternal balance of the universe.
Ragam: Rishabhapriya
Thalam: Adi
Composer: Shri Meenakshi Naada Deekshithar
This padam begins with a dancing peacock signalling to Radha that Lord Krishna is nearby. She eagerly asks the peacock to inform her of his arrival. The padam continues to describe Krishna’s enchanting flute, and the plight of devotees as they seek his divine presence. Adorned with a peacock feather, fish-shaped earrings, and a moon-like face, Krishna’s graceful form moves harmoniously with Goddess Lakshmi’s song. Sages, overcome with joy, question whether this sight is real or a dream. The padam concludes with Krishna playing amongst calves, depicting the Lord as the ultimate source of bliss for all.
Ragam: Simhendra Madhyamam
Thalam: Adi
Composer: Oothukkadu Venkata Subbaiyer
A padam is an expressive dance piece that emphasizes emotional depth and storytelling. They usually focus on themes of love, devotion, and spirituality. This padam portrays a heroine expressing her anguish that her beloved, Lord Padmanabha, is indifferent towards her. She confides in her best friend, who is tired of complaints. Desperate to make her stay and listen to her troubles, she describes her friend with affectionate admiration. Ultimately, as she continues her search for him, her friend intervenes, gently pulling her away from the scene.
Ragam: Ahiri
Talam: Misrachapu
Composer: Maharaja Swathi Thirunal
Thillana is generally performed near the end of the repertoire. It is a lively and fast-paced dance characterized by complex and intricate footwork. This thillana praises Lord Krishna who enchants the world with his mesmerising flute and defeats the serpent, Kaliya, while capturing all hearts.
Ragam: Surutti
Thalam: Aadi (Thishra Nadai)
Composer: Sri Oothukkadu Venkata Subbaiyer
Harivarasanam is a Malayalam hymn sung as a lullaby for Lord Ayappan who resides at the Sabarimala Sree Dharma Sastha Temple in Kerala, India. Typically chanted at the end of the day when the temple closes, this composition celebrates Lord Ayappan's divine features and details his benevolent nature, grace, and form.
Ragam: Madhyamavati
Thalam: Adi
Composer: Kambangudi Kulathur Srinivasa Iyer adapted by G. Devarajan
We use cookies to analyze website traffic and optimize your website experience. By accepting our use of cookies, your data will be aggregated with all other user data.